St. Stephen’s Episcopal Church, Edina, Minnesota
The Reverend Neil Alan Willard, M.Div.
Easter Day, April 8, 2012
“And very early on the first day of the week, when the sun had risen,
they went to the tomb.” (Mark 16:2)
The Good Friday print edition of The New York Times included an unusual article from Caracas, the capital of Venezuela. There a 17-story mausoleum, covered in bright white ceramic tiles that were imported from Spain, has slowly begun to loom over the historic buildings around it. When completed, it will hold the remains of Simón Bolívar, who led the nation’s war of independence and died in 1830. As for the modern design of this new structure [click to see photograph] and its meaning, the article notes that it:
. . . looks to many [Venezuelans] like the world’s biggest skateboard ramp. To others, it evokes a parking garage, a shopping mall, a bridal veil, a sailing ship or a drive-in movie screen. Some simply call it an outrage.
But to its creators, it is an eloquent tribute to the father of the nation, the quasi-mythical inspiration for President Hugo Chavez’s socialist revolution. . . .
The mausoleum will almost certainly be interpreted as one of the signature architectural works of Mr. Chavez’s revolution and a measure of his government’s aspirations. Some already see in it a reflection of Mr. Chavez’s ego. With Mr. Chavez battling cancer and his mortality on nearly everyone’s mind, some also wonder whether the tomb might be intended to have another human occupant someday.[1]
The reporter observed that, on the inside, “the vast space evokes a cathedral, majestic and solemn,” which fits with the last word at the end of the article from Orlando Martinez. He’s a member of the design team, who said, “This is a place of worship.”[2]
Yesterday I posted on my blog, Laughing Water, a photograph of a very different kind of resting place. Continue reading







